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Plato relies, further, on the view that the soul is a mind in order to explain how its motions are possible: Plato combines the view that the soul is a self-mover with the view that the soul is a mind in order to explain how the soul can move things in the first place (e.g., how it can move the body to which it is attached in life). [10]
Socrates offers four arguments for the soul's immortality: The Cyclical Argument, or Opposites Argument explains that Forms are eternal and unchanging, and as the soul always brings life, then it must not die, and is necessarily "imperishable". As the body is mortal and is subject to physical death, the soul must be its indestructible opposite.
In a Christian context, agape means "love: esp. unconditional love, charity; the love of God for person and of person for God". [3] Agape is also used to refer to a love feast. [4] The Christian priest and philosopher Thomas Aquinas described agape as "to will the good of another". [5] Eros (ἔρως, érōs) means "love, mostly of the sexual ...
Plato's Phaedrus and his later work The Republic discuss thumos as one of the three constituent parts of the human psyche.In the Phaedrus, Plato depicts logos as a charioteer driving the two horses eros and thumos (erotic love and spiritedness are to be guided by logos).
Love, she says, is neither fully beautiful nor good, as the earlier speakers in the dialogue had argued. Diotima gives Socrates a genealogy of Love , stating that he is the son of "resource (poros) and poverty (penia)". In her view, love drives the individual to seek beauty, first earthly beauty, or beautiful bodies.
An important example of a palinode is that of Socrates in the Phaedrus [2] in which his first major speech disparages the "mania" of Eros and its part in human affairs, while his second one (commonly known as the palinode of Socrates) praises Eros. As he says, "we must not let anyone disturb us or frighten us with the claim that you should ...
Socrates gently berates the rhapsode for being Protean, which after all, is exactly what a rhapsode is: a man who is convincingly capable of being different people on stage. Through his character Socrates, Plato argues that "Ion’s talent as an interpreter cannot be an art, a definable body of knowledge or an ordered system of skills," but ...
Lysis (/ ˈ l aɪ s ɪ s /; Ancient Greek: Λύσις, genitive case Λύσιδος, showing the stem Λύσιδ-, from which the infrequent translation Lysides), is a dialogue of Plato which discusses the nature of philia (), often translated as friendship, while the word's original content was of a much larger and more intimate bond. [1]