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In rhetoric, litotes (/ l aɪ ˈ t oʊ t iː z, ˈ l aɪ t ə t iː z /, US: / ˈ l ɪ t ə t iː z /), [1] also known classically as antenantiosis or moderatour, is a figure of speech and form of irony in which understatement is used to emphasize a point by stating a negative to further affirm a positive, often incorporating double negatives for effect.
Example of sarcasm without irony: (frequently attributed to Winston Churchill) After an onlooker comments on one being drunk: "My dear, tomorrow I will be sober, and you will still be ugly!" Example of irony without sarcasm: After a popular teacher apologizes to the class for answering his phone in the other room: "I don't know if we can ...
'Irony' comes from the Greek eironeia (εἰρωνεία) and dates back to the 5th century BCE.This term itself was coined in reference to a stock-character from Old Comedy (such as that of Aristophanes) known as the eiron, who dissimulates and affects less intelligence than he has—and so ultimately triumphs over his opposite, the alazon, a vain-glorious braggart.
Understatement – a form of irony, sometimes in the form of litotes, in which something is represented as less than it really is, with the intent of drawing attention to and emphasizing the opposite meaning. Universal audience – an audience consisting of all humankind. Utterance – statement that could contain meaning about one's own person.
An example is a probabilistically valid instance of the formally invalid argument form of denying the antecedent or affirming the consequent. [ 12 ] Thus, "fallacious arguments usually have the deceptive appearance of being good arguments, [ 13 ] because for most fallacious instances of an argument form, a similar but non-fallacious instance ...
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The alleged statement was made by a female teacher at Clack Middle School, a public school a part of the Abilene Independent School District (ISD) in Abilene, Texas. The details of the ...
The French actress Sarah Bernhardt was considered insufficiently understated in English terms. Photograph by Félix Nadar, c. 1864. This attitude of understatement was exemplified by a comment upon Sarah Bernhardt's violent depiction of Cleopatra in the 1891 play of that title: "How different, how very different, from the home life of our own dear Queen!"