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Medieval maps of the world in Europe were mainly symbolic in form along the lines of the much earlier Babylonian World Map. Known as Mappa Mundi (cloths or charts of the world) these maps were circular or symmetrical cosmological diagrams representing the Earth's single land mass as disk-shaped and surrounded by ocean. [6]
A world map is a map of most or all of the surface of Earth. World maps, because of their scale, must deal with the problem of projection. Maps rendered in two dimensions by necessity distort the display of the three-dimensional surface of the Earth. While this is true of any map, these distortions reach extremes in a world map.
Hereford Mappa Mundi (c. 1285; the largest medieval map known still to exist) Map of Maximus Planudes (c. 1300), earliest extant realization of Ptolemy's world map (2nd century) Gangnido (Korea, 1402) Bianco world map (1436) Fra Mauro map (c. 1450) Map of Bartolomeo Pareto (1455) Genoese map (1457) Map of Juan de la Cosa (1500) Cantino ...
The most common purpose of a thematic map is to portray the geographic distribution of one or more phenomena. Sometimes this distribution is already familiar to the cartographer, who wants to communicate it to an audience, while at other times the map is created to discover previously unknown patterns (as a form of Geovisualization). [17]
According to semiotics, specifically the Semiotic theory of Charles Sanders Peirce, map symbols are "read" by map users when they make a connection between the graphic mark on the map (the sign), a general or specific concept (the interpretant), and a particular feature of the real world (the object or referent). Map symbols can thus be ...
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The Waterman "Butterfly" World Map is a map projection created by Steve Waterman. Waterman first published a map in this arrangement in 1996. The arrangement is an unfolding of a polyhedral globe with the shape of a truncated octahedron, evoking the butterfly map principle first developed by Bernard J.S. Cahill (1866–1944) in 1909
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