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In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2] Themes are often distinguished from premises.
Literary themes in works of fiction ... Middle-earth themes (28 P) S. Science fiction themes (68 C, 191 P) Superhero fiction themes (2 C, 16 P) T. Fantasy tropes (17 ...
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
School story; Varsity novel; Adventure fiction; Echtra – pre-Christian Old Irish literature about a hero's adventures in the Otherworld or with otherworldly beings. [15] Lost world [16] Nautical fiction; Picaresque novel – depicts the adventures of a roguish, but "appealing hero", of low social class, who lives by his wits in a corrupt society.
This is a list of utopian literature. A utopia is a community or society possessing highly desirable or perfect qualities. It is a common literary theme, especially in speculative fiction and science fiction .
The Ego-Futurists were another poetry school within Russian Futurism during the 1910s, based on a personality cult. [53] [56] Most prominent figures among them are Igor Severyanin and Vasilisk Gnedov. The Acmeists were a Russian modernist poetic school, which emerged ca. 1911 and to symbols preferred direct expression through exact images.
Middle English literature is written, then, in the many dialects that correspond to the history, culture, and background of the individual writers. While Anglo-Norman or Latin was preferred for high culture and administration, English literature by no means died out, and a number of important works illustrate the development of the language.
Ernst Robert Curtius studied topoi as "commonplaces", themes common to orators and writers who re-worked them according to occasion, e.g., in classical antiquity the observation that "all must die" was a topos in consolatory oratory, for in facing death the knowledge that death comes even to great men brings comfort. [2]