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When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
French: miam, crounche miam miam glouglouglou gloups German: mampf mampf mampf, hamm hamm, mjam schlürf, gluck schluck Gujarati: gudgud Hebrew: אָממ אָממ (amm amm) שלוּק (shluk) צחצוח (tsikhtsúakh), שקשוק (shikshúk refers to "shaking teeth") Hungarian: hamm nyam-nyam, csám-csám glu-glu, glugy-glugy sika-sika ...
A fantasia (Italian: [fantaˈziːa]; also English: fantasy, fancy, fantazy, phantasy, German: Fantasie, Phantasie, French: fantaisie) is a musical composition with roots in improvisation. The fantasia, like the impromptu, seldom follows the textbook rules of any strict musical form.
The traditional Canadian French keyboard from IBM must use an ISO keyboard. The French guillemets located on the extra key are needed to type proper French, they are not optional. A dvorak version (traditional Canadian French layout) is also supported by Microsoft Windows. In this keyboard, the key names are translated to French:
It is written using the musical motifs of a French overture, as in the first movement of the fourth of Bach's keyboard Partitas BWV 828 (Clavier-Übung I), the first movement of his Overture in the French style, BWV 831 (Clavier-Übung II), the sixteenth variation of the Goldberg Variations BWV 988 (Clavier-Übung IV), marked "Ouverture. a 1 ...
Italian term Literal translation Definition A cappella: in chapel style: Sung with no (instrumental) accompaniment, has much harmonizing Aria: air: Piece of music, usually for a singer Aria di sorbetto: sorbet air: A short solo performed by a secondary character in the opera Arietta: little air: A short or light aria Arioso: airy A type of solo ...
The German layout places "z" in a position where it can be struck by the index finger, rather than by the weaker little finger. Part of the keyboard is adapted to include umlauted vowels (ä, ö, ü) and the sharp s (ß). (Some newer types of German keyboards offer the fixed assignment Alt+++H → ẞ for its capitalized version.)
The German composers Froberger and Bach followed suit in their allemandes for keyboard instruments, although ensemble allemandes kept a more traditional style. Italian and English composers were more free with the allemande, writing in counterpoint and using a variety of tempi (Corelli wrote allemandes ranging from largo to presto).