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Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
Definition Lacuna: gap: A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return
The song is thought to originate in a Latin manuscript from 1287. It is in the tradition of carpe diem ("seize the day") with its exhortations to enjoy life. It was known as a beer- drinking song in many early universities and is the official song of many schools, colleges, universities, institutions, student societies and is the official ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
do not speak against the Sun: i.e., "do not argue what is obviously/manifestly incorrect." advocatus diaboli: Devil's advocate: Someone who, in the face of a specific argument, voices an argument that he does not necessarily accept, for the sake of argument and discovering the truth by testing the opponent's argument. cf. arguendo. aegri somnia
Many of their other songs contain some lines in Latin, have a Latin name and/or are supported by a choir singing in Latin. Rhapsody of Fire – Ira Tenax; Rotting Christ: Sanctus Diavolos: Visions of a Blind Order, Sanctimonius, Sanctus Diavolos; Theogonia: Gaia Telus, Rege Diabolicus; Κατά τον δαίμονα εαυτού: Grandis ...
The origins of Latin Music in the United States dates back to the 1930s with Rhumba. [89] Rhumba was prominent with Cuban-style ballroom dancing in the 1930s, but was not mainstream. [89] It was not until the 1950s and 1960s that Latin Music started to become intertwined with American culture.
A rock or pop guitarist or keyboardist might literally play the chords as indicated (e.g., the C major chord would be played by playing the notes C, E and G at the same time). In jazz, particularly for music from the 1940s bebop era or later, players typically have latitude to add in the sixth, seventh, and/or ninth of the chord. Jazz chord ...