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Raku ware (楽焼, raku-yaki) is a type of Japanese pottery traditionally used in Japanese tea ceremonies, most often in the form of chawan tea bowls. It is traditionally characterised by being hand-shaped rather than thrown, fairly porous vessels, which result from low firing temperatures, lead glazes and the removal of pieces from the kiln ...
Horse hair vase. Horse hair raku is a method of decorating pottery through the application of horsehair and other dry carbonaceous material to the heated ware. The burning carbonaceous material creates smoke patterns and carbon trails on the surface of the heated ware that remain as decoration after the ware cools.
Tim Andrews is an English studio potter making distinctive smoke-fired and raku ceramics exhibited internationally. [1]Andrews trained as an apprentice to David Leach and studied at Dartington Pottery Training Workshop before setting up his first studio in 1981. [2]
The influential tea master Sen no Rikyū (1522–1591) turned to native Japanese styles of simple rustic pottery, often imperfect, which he admired for their "rugged spontaneity", a "decisive shift" of enormous importance for the development of Japanese pottery. [13] The Raku family (named after the pottery rather than the other way round ...
Paul Edmund Soldner (April 24, 1921 – January 3, 2011) was an American ceramic artist and educator, noted for his experimentation with the 16th-century Japanese technique called raku, introducing new methods of firing and post firing, which became known as American Raku. [1] He was the founder of the Anderson Ranch Arts Center in 1966. [2]
Despite the distance, both literally and figuratively, from the backlots of Hollywood, Stern's ranch and pottery studio make him feel like he's working "on a movie crew," he says.
The bowls attracted attention for their beauty and refinement of either entirely red or black glazed soft pottery [citation needed], simple and without decoration, meant to reflect wabi ideals. Chōjirō's adopted son, Jōkei, followed in his father's footsteps, and was allowed to append the term raku to his name in recognition of his talents.
Burnishing gives pottery a reflective surface without having to use a ceramic glaze. [5] It is described as a low-tech way of finishing pottery because burnished pottery needs to be fired below 1832F (1000C), which is different from firing glaze. [5] Burnishing can also be a step towards preparing pottery for pit firing, saggar firing, or raku. [5]
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