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Balinese music can be compared to Javanese music, especially that of the pre-Islamic period. During that time, Javanese tonal systems were imported to Bali. Balinese gamelan, a form of Indonesian classical music, is louder, swifter and more aggressive than Sundanese and Javanese music. Balinese gamelan also features more archaic instrumentation ...
In mediaeval Bali (circa 1700–1906) gamelan semar pegulingan was an important part of the Balinese courts. Accompanying court rituals and pendet dances at temple ceremonies, Semar pegulingan also served to lull the royal family to sleep when it played in the late evenings in the inner sanctum of the palace.
Other theoretical publications about music, dance, and theatre of Indonesia include Prakempa: A Cosmology in Balinese Music, Wayang Wong in Contemporary Bali, Traditional Theatre of Indonesia, and Encyclopedia of Balinese Dance – all these books are text books and reference for those studying Indonesian arts. Aside from writings concerning ...
Arja (Balinese: ᬅᬃᬚ), also known as Balinese opera, is a popular form of Balinese theatre which combines elements of opera, dance, and drama. [1] It was created in 1825 for the funeral of a Balinese prince.
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Gamelan gender wayang is a style of gamelan music played in Bali, Indonesia.It is required for wayang (shadow puppet theatre) and most sacred Balinese Hindu rituals. The smallest of gamelan ensembles, it requires only two players and is complete at four, the additional instruments doubling an octave above.
Gong kebyar music is based on a five-tone scale called pelog selisir (tones 1, 2, 3, 5, and 6 of the 7-tone pelog scale), and is characterized by brilliant sounds, syncopations, sudden and gradual changes in sound colour, dynamics, tempo and articulation, and complex, complementary interlocking melodic and rhythmic patterns called kotekan.
During their colonization of Bali in the late nineteenth century, the Dutch dissolved the courts. The use of the gong gede became limited to temple music. [ 4 ] It was later superseded in popularity by gong kebyar , a more up-tempo form of gamelan played with smaller gongs, that originated in Balinese villages in the late 19th century and ...