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This is an accepted version of this page This is the latest accepted revision, reviewed on 21 December 2024. 1818 novel by Mary Shelley This article is about the novel by Mary Shelley. For other uses, see Frankenstein (disambiguation). Frankenstein; or, The Modern Prometheus Volume I, first edition Author Mary Shelley Language English Genre Gothic novel, horror fiction, science fiction Set in ...
Mary Shelley's Frankenstein premiered at the London Film Festival, and was released theatrically on November 4, 1994, by TriStar Pictures. The film received mixed reviews from critics and grossed $112 million worldwide on a budget of $45 million, making it less successful than the previous Francis Ford Coppola -produced horror adaptation, Bram ...
Frankenstein's monster, commonly referred to as Frankenstein, [a] is a fictional character that first appeared in Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus as its main antagonist.
Victor Frankenstein is a fictional character who first appeared as the titular main protagonist of Mary Shelley's 1818 novel, Frankenstein; or, The Modern Prometheus.He is a Swiss scientist (born in Naples, Italy) who, after studying chemical processes and the decay of living things, gains an insight into the creation of life and gives life to his own creature (often referred to as ...
Elizabeth Frankenstein (née Lavenza) is a fictional character first introduced in Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. In both the novel and its various film adaptations, she is the fiancée of Victor Frankenstein .
Dive into Mary Shelley's masterpiece with our 50 quotes from her classic novel.
Mary Wollstonecraft Shelley (UK: / ˈ w ʊ l s t ən k r ɑː f t /; née Godwin; 30 August 1797 – 1 February 1851) was an English novelist who wrote the Gothic novel Frankenstein; or, The Modern Prometheus (1818), which is considered an early example of science fiction. [2]
Alienation - the feeling of being different - is at the heart of Mary Shelley's Gothic. [17] During the implementation of Victor's project, horror is adorned with a scientific alibi. Mary Shelley places the act of creation in an experimental context, naming the disciplines involved: physics, chemistry and the natural sciences.
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