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Habanera ("music or dance of Havana") is the popular name for "L'amour est un oiseau rebelle" (French pronunciation: [lamuʁ ɛt‿œ̃n‿wazo ʁəbɛl]; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique Carmen. It is the entrance aria of the title character, a mezzo-soprano role, in scene 5 of the first act.
Like Carmen's Habanera, it is built on a descending chromatic scale as Escamillo describes his experiences in the bullfighting ring. In the chorus praising the toreador, the music turns celebratory and confident in character. [1] Frasquita, Mercédès, Carmen, Moralès, Zuniga and the chorus join for the repeat of the refrain. [2]
Carmen has since become one of the most popular and frequently performed operas in the classical canon; the "Habanera" and "Seguidilla" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of opéra comique with musical numbers separated by dialogue.
The Havanaise in E major (French: Havanaise en mi majeur), Op. 83, is a composition for violin and orchestra based on the habanera rhythm, written in 1887 by French composer, Camille Saint-Saëns for Cuban violinist Rafael Díaz Albertini. [1] [2] At the January 7, 1894 orchestral premiere in Paris, the violin was played instead by Martin ...
Malagueña y Habanera (Spanish Dances Nos. 1, 2 - Book I) 1878 Violin and piano 22 Romanza andaluza y Jota navarra (Spanish Dances Nos. 3, 4 - Book II) 1878 Violin and piano 23 Playera y Zapateado (Spanish Dances Nos. 5, 6 - Book III) 1880 Violin and piano 24 Caprice Basque (Basque Caprice) 1880 Violin and piano 25 Fantasy on Carmen (Bizet) 1882
Forget Chip and Joanna Gaines, bowerbirds are the real home renovation stars! These incredible avian artists have a keen eye for color and are masters of interior design, spending countless hours ...
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