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Where art historian José Camón Aznar had attributed between 787 and 829 paintings to El Greco, Wethey reduced the number to 285 authentic works. Halldor Sœhner, a German researcher of Spanish art, recognized only 137. [7] Both Wethey and Sœhner divided in their catalogues the works in those painted by El Greco and those produced by his ...
Paintings by Doménicos Theotokópoulos (Greek: Δομήνικος Θεοτοκόπουλος), called El Greco ("the Greek", 1541 – April 7, 1614), a Greek-born painter who worked in Crete, Italy and Spain
El Greco's altarpieces are renowned for their dynamic compositions and startling innovations. Art historian Max Dvořák was the first scholar to connect El Greco's art with Mannerism and Antinaturalism. [34] Modern scholars characterize El Greco's theory as "typically Mannerist" and pinpoint its sources in the Neoplatonism of the Renaissance. [35]
Pages in category "Paintings by El Greco in the Museo del Prado" The following 34 pages are in this category, out of 34 total. This list may not reflect recent changes .
The anatomy of the human body becomes even more otherworldly in El Greco's mature works; for The Immaculate Conception (El Greco, Toledo) El Greco asked to lengthen the altarpiece itself by another 1.5 ft (0.46 m) "because in this way the form will be perfect and not reduced, which is the worst thing that can happen to a figure". A significant ...
El Greco has a unique style with influences from Italian artists as well as Spanish and Greek. Throughout his painting career, El Greco changed his style based upon the places he lived. However, he almost always painted with influence from his Cretan or Greek roots. He often wrote in Greek and used the Greek alphabet instead of the Latin alphabet.
Pages in category "Paintings by El Greco in the Louvre" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. C.
The Fable (Spanish - La Fábula) is a 1580 allegorical painting by El Greco, produced early in his Toledan period and now in the Museo del Prado in Madrid. [1] The light effects and use of colour show the influence of Jacopo Bassano, which the painter had picked up in Italy. It shows a monkey and a rogue flanking a boy blowing on an ember or taper.
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