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Othello and Desdemona in Venice by Théodore Chassériau (1819-1856). The Tragedy of Othello, the Moor of Venice, often shortened to Othello (/ ɒ ˈ θ ɛ l oʊ /), is a tragedy written by William Shakespeare around 1603.
She notes Roderigo's description of Othello having "thick lips" was a racial stereotype used by 16th century explorers for Sub-Saharan Africans. [8] Modern-day readers and theatre directors lean away from a North African Moorish interpretation [9] but Shakespeare's textual references are unclear.
Cinthio's Tale—A 19th-century English translation of Shakespeare's primary source. Othello—analysis, explanatory notes, and lectures. Othello—Scene-indexed and searchable version of the text. Othello public domain audiobook at LibriVox Cultural references to Othello at the Internet Broadway Database – lists numerous productions.
Iago is a major character in William Shakespeare's 1603 play Othello. His role is one of Othello 's outwardly loyal courtier and friend, who in fact hates him and schemes his downfall. He also manipulates his friends and master into doing his bidding, eventually persuading Othello to believe that his wife, Desdemona , has been having an affair ...
Iago (/ i ˈ ɑː ɡ oʊ /) is a fictional character in Shakespeare's Othello (c. 1601–1604). Iago is the play's main antagonist, and Othello's standard-bearer.He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona.
William Shakespeare (c. 23 [a] April 1564 – 23 April 1616) [b] was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. [3] [4] [5] He is often called England's national poet and the "Bard of Avon" (or simply "the Bard").
With Christmas near, bringing out the boughs of holly now -- even as you may still be putting fall decorations away -- may make you a happier person, experts say. "For most people, decorating for ...
In common with his Romantic contemporaries, Hazlitt focuses on how, to communicate the meaning of the play, Shakespeare's imagination, [276] by the medium of poetry, stimulates the reader's or audience's imagination. [277] Several times, Hazlitt observes how Shakespeare by this imaginative construction seemed to become each character in turn.
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