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Moche portrait vessel, Musée du quai Branly, ca. 100—700 CE, 16 x 29 x 22 cm Jane Osti (Cherokee Nation), with her award-winning pottery, 2006. Ceramics of Indigenous peoples of the Americas is an art form with at least a 7500-year history in the Americas. [1] Pottery is fired ceramics with clay as a component.
Hopewell pottery is the ceramic tradition of the various local cultures involved in the Hopewell tradition (ca. 200 BCE to 400 CE) [1] and are found as artifacts in archeological sites in the American Midwest and Southeast.
[62] Native American modern and contemporary art, and pueblo pottery and other "crafts" face a kind of double jeopardy because in the past not only have "craft-based media" been excluded from American art history, the field has frequently marginalized Native American art and the artists that make these works, relinquishing them to the realms of ...
Mississippian culture pottery is the ceramic tradition of the Mississippian culture (800 to 1600 CE) found as artifacts in archaeological sites in the American Midwest and Southeast. It is often characterized by the adoption and use of riverine (or more rarely marine) shell- tempering agents in the clay paste. [ 1 ]
Artisans of the Ancient Americas drew upon a wide range of materials (obsidian, gold, spondylus shells), creating objects that included the meanings held to be inherent to the materials. [1] These cultures often derived value from the physical qualities, rather than the imagery, of artworks, prizing aural and tactile features, the quality of ...
In art history and archaeology, especially of ancient and prehistoric periods, pottery often means only vessels, and sculpted figurines of the same material are called terracottas. [2] An 18th-century Chinese export porcelain service, for the America market
Mata Ortiz pottery is a recreation of the Mogollon pottery found in and around the archeological site of Casas Grandes (Paquimé) in the Mexican state of Chihuahua. Named after the modern town of Mata Ortiz , which is near the archeological site, the style was propagated by Juan Quezada Celado .
It was a record of history. [26] This theme, much like others, shows a natural progression and narrative format. Again, while there is no written documentation from the Moche the iconography on stirrup spout vessels, and other pottery, provides scholars with a story of Moche beliefs and practices.
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