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Kaufmann is a brush script typeface drawn in 1936 by Max R. Kaufmann for the American Type Founders (ATF). The stroke weight is monotone. Uppercase characters are freely drawn, while lowercase is more regular in height and width, recalling cursive handwriting.
This list of monospaced typefaces details standard monospaced fonts used in classical typesetting and printing. Samples of Monospaced typefaces Typeface name
Also the official font for all the signage system of the Spanish Government. Modified variant of Gill Sans Bold Condensed used on road signs in former East Germany until 1990. [26] [27] Goudy Old Style: Used on Victoria PTC railway station signs in the 1990s, replacing the green The Met signs.
The MTA system is still rife with a proliferation of Helvetica-like fonts, including Arial, in addition to some old signs in Medium Standard, and a few anomalous signs in Helvetica Narrow. [ 36 ] [ 37 ] [ 38 ] Helvetica is also used in the Washington Metro , the Chicago 'L' , Philadelphia's SEPTA , and the Madrid Metro . [ 39 ]
This list of fonts contains every font shipped with Mac OS X 10.0 through macOS 10.14, including any that shipped with language-specific updates from Apple (primarily Korean and Chinese fonts). For fonts shipped only with Mac OS X 10.5, please see Apple's documentation.
Since 1997 the signs placed by the ANWB have used a new font called ANWB-Uu. Signs of other manufacturers continued using the old fonts. Since 2015 the ANWB-Uu font is not used any more on new signs; it has been replaced by RWS-Ee and the newly-designed RWS-Dd (based on the FHWA series D).
Zapf Essentials is an update to the Zapf Dingbats family which consists of 6 symbol-encoded fonts categorized in Arrows One (black arrows), Arrows Two (white arrows, patterned arrows), Communication (pointing fingers, communication devices), Markers (squares, triangles, circles, ticks, hearts, crosses, check marks, leaves), Office (pen, clock, currency, scissors, hand), Ornaments (flowers ...
Univers (French pronunciation: ⓘ) is a sans-serif typeface family designed by Adrian Frutiger and released by his employer Deberny & Peignot in 1957. [1] Classified as a neo-grotesque sans-serif, one based on the model of nineteenth-century German typefaces such as Akzidenz-Grotesk, it was notable for its availability from the moment of its launch in a comprehensive range of weights and widths.
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