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Pomo baskets made by Pomo Indian women of Northern California are recognized worldwide for their exquisite appearance, range of technique, fineness of weave, and diversity of form and use. While women mostly made baskets for cooking, storing food, and religious ceremonies, Pomo men also made baskets for fishing weirs, bird traps, and baby baskets.
Elsie Comanche Allen (September 22, 1899 – December 31, 1990) was a Native American Pomo basket weaver from the Cloverdale Rancheria of Pomo Indians of California in Northern California, significant as for historically categorizing and teaching Californian Indian basket patterns and techniques and sustaining traditional Pomo basketry as an art form.
However, a market for genuine, traditional baskets opened the 1880s and lasted until the 1930s. [9] William and Mary Benson took advantage of this commercial opportunity. While Pomo men did not traditionally make the kind of fine baskets demanded by the market, William adapted his skill to the fine work done by women. [9]
This resulted in great innovation in the form of the baskets. Many pieces by Native American basket weavers from all parts of California are in museum collections, such as the Peabody Museum of Archaeology and Ethnology at Harvard University, the Southwest Museum, and the Smithsonian Institution National Museum of the American Indian.
Julia Florence Parker (born February 1928) [1] is a Coast Miwok-Kashaya Pomo basket weaver.. Parker studied with some of the leading 20th century indigenous Californian basketweavers: Lucy Telles (Yosemite Miwok-Mono Lake Paiute); Mabel McKay, (Cache Creek Pomo-Patwin) and Elsie Allen (Cloverdale Pomo).
Their baskets are curated by museums such as the Smithsonian Institution, National Museum of the American Indian, and the Field Museum of Natural History. [ 23 ] [ 24 ] Pomo tribe members, Elsie Allen (1899–1990) and her mother Annie Burke (1876-1962), made significant steps toward preservation by defying Pomo tradition.
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