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Yeah Right! is a 2003 skateboarding video by Girl Skateboards (featuring Chocolate Skateboards), directed by Ty Evans and Spike Jonze. Yeah Right! is notable for its soundtrack, length, and the extensive use of never-before-seen (in a skateboarding video) special effects.
BRAAAM is a loud, low sound typically produced using real or synthesized brass instruments.One of the best-known examples also involved a prepared piano.Seth Abramovitch of The Hollywood Reporter described the sound as "like a foghorn on steroids" which is "meant to impart a sense of apocalyptic momentousness". [3]
Yeah Right!, a skateboarding video; Yeah Right! Records, an independent record label based in London, Ontario, Canada; Yeah Right (Dionne Bromfield song) Yeah Right (Joji song) "Yeah, Right", a song by The Reverend Horton Heat from their 1994 album Liquor in the Front "Yeah Right", a song by Dinosaur Jr., from their 1994 album Without a Sound ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 2 December 2024. This is a list of onomatopoeias, i.e. words that imitate, resemble, or suggest the source of the sound that they describe. For more information, see the linked articles. Human vocal sounds Achoo, Atishoo, the sound of a sneeze Ahem, a sound made to clear the throat or to draw attention ...
"With 'Yeah Right', I just wanted to make something that was catchy, and write about something that we say in everyday life. This was the song that decided the direction of the album, because it created the exact vibe I was going for - old school for today's generation." [2] - Bromfield.
By the mid-1990s the sound had begun to be used in Caribbean music. [1] [16] Anne Dudley and Trevor Horn used an orchestra hit with the Art of Noise as a sound effect rather than a melodic instrument. [9] The sample was used in "Close (to the Edit)", where it was sequenced alongside sound effects of chainsaws, breaking glass and motorcycles. [17]
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The debut Art of Noise EP, Into Battle with the Art of Noise, appeared in September 1983 on Horn's fledgling ZTT label. [3] Many of the samples originally used on 90125 reappeared on the EP, which immediately scored a hit in the urban and alternative dance charts in the US with the highly percussive, cut-up instrumental track "Beat Box", a favourite among body-poppers.