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Mountains and Sea is a 1952 painting by American abstract expressionist painter Helen Frankenthaler. [2] [3] Painted when Frankenthaler was 23 years old, it was her first professionally exhibited work. [4] Though initially panned by critics, Mountains and Sea later became her most influential and best known canvas. [5] [6]
Anna Molka Ahmed was born Molly Bridger to Jewish parents, in London, England on 13 August 1917. Her mother was Polish and father was Russian.She converted to Islam at the age of 18 in 1935, before marrying Sheikh Ahmed in October 1939, who was then studying in London.
Shan shui painting is a kind of painting which goes against the common definition of what a painting is. Shan shui painting refutes color, light and shadow and personal brush work. Shan shui painting is not an open window for the viewer's eye, it is an object for the viewer's mind. Shan shui painting is more like a vehicle of philosophy. [6]
Mazu or Matsu is a sea goddess in Chinese folk religion, Chinese Buddhism, Confucianism, and Taoism. She is also known by several other names and titles . Mazu is the deified form of Lin Moniang ( Chinese : 林 默 娘 ; pinyin : Lín Mòniáng ; Pe̍h-ōe-jī : Lîm Be̍k-niû / Lîm Bia̍k-niû / Lîm Be̍k-niô͘ ), a shamaness from Fujian ...
Drowning Girl is a painting of a female subject who would prefer to give in to the power of the ocean than call for aid. Lichtenstein's version of the scene eliminates everything but the sea and a few body parts of the subject: her head, shoulder and hand, which are barely above the water.
Qaf, as the primeval mountain, came to symbolise the cosmic mountain where the natural and supernatural met and the link between the terrestrial and celestial worlds was established. It is said that the anqa and rukh will come here. The emerald-made cities Jabulqa and Jabulsa, situated in darkness, are said to be contiguous to the mountain Qaf ...
Some scholars believe the painting is meant to represent the nymph Callisto, bathing apart from Diana's entourage. [2] The painting is broadly executed. Art historian Gary Schwartz refers to it as an "oil sketch enlarged to the dimensions of a full-scale painting" and calls it "one of the freshest and most original of Rembrandt's works in oil." [3]
Gauguin painted Fatata te miti (By the Sea) in 1892 during his first trip to Tahiti. Like Vahine no te vi (Woman of the Mango) (W 449) painted at the same time, it is an example of the relatively few straightforward genre scenes that Gauguin painted immediately after setting up his studio in a native bamboo hut at Mataiea, Papeari . [ 3 ]