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[7]: 39 R.E.M. is well known as an abbreviation for rapid eye movement, the dream stage of sleep; however, sleep researcher Rafael Pelayo reports that when his colleague William Dement, the sleep scientist who coined the term REM, reached out to the band, Dement was told that the band was named "not after REM sleep". [11]
In September 1983, a few months after the release of R.E.M.'s debut album, Stipe participated in a low-budget, forty-five-minute Super-8 film called Just Like a Movie, shot in Athens by New York Rocker magazine photographer Laura Levine, who was a friend of the band.
Succumbs is R.E.M.'s first commercially available full-length movie.Released in October 1987 by UNI/A&M, it contains video footage shot by R.E.M.'s lead singer Michael Stipe dating back to the early-1980s, while the band was still recording under the I.R.S. Records label.
The original movie, an unauthorized 1922 “Dracula” adaptation now in the public domain, has inspired filmmakers for more than a century, including Werner Herzog's 1979 "Nosferatu the Vampyre ...
REM’s original line-up was broken in 1997 with the departure of Berry, after he suffered a double brain aneurysm while on stage in Switzerland during their world tour. The remaining three ...
The concert video Road Movie is a compilation of footage taken from the final three nights of the tour, in Atlanta. New Adventures in Hi-Fi, the band's tenth studio album, was released in 1996 without a supporting tour, though a handful of material was performed during this tour, either during soundcheck or the actual show. Eight-track ...
This Film Is On is a video feature compiling all of R.E.M.'s Out of Time-era promotional videos, as well as several recorded for this release alone.It was released on video on September 24, 1991, and on DVD format on August 22, 2000, both on the Warner Bros. label. [1]
Tourfilm (1990) is a documentary-style concert film by American rock band R.E.M. The film chronicles the band's 1989 Green tour of North America.Produced by frontman Michael Stipe and director Jim McKay, the black-and-white film features aspects of avant-garde and experimental filmmaking, including handheld camera shots and stock footage.
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