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How I Hate to Get Up in the Morning" in the 1942 stage play This Is The Army, which ran for 113 performances on Broadway and was adapted as a Warner Brothers musical the following year. [3] [17] [18] [12] [13] [20] It was declared the "modern version of Yip, Yip, Yaphank," and contained "all-new music" except for two or three songs. [21]
Each artist listed here has been identified by at least two publications as being a one-hit wonder in the U.S. Numerous artists listed here have reached the Top 40 on the US Billboard Hot 100 more than once. The year indicates when the song charted or peaked. Based on the peak date, the entries are listed chronologically.
"In the Morning" is a song by English indie rock band the Coral. It was released on 9 May 2005 as the lead single from their third studio album The Invisible Invasion (2005). The single reached number six on the UK Singles Chart. It was the second-most-played song on UK radio in 2005.
Fleet Foxes covered this song for Record Store Day 2018, backing a choral version of their song Crack-Up. They subsequently covered the song on their live albums A Very Lonely Solstice in 2020 and Live on Boston Harbor in 2024. The Bluegrass 45 released a bluegrass version as the title song of the 1973 LP In the Morning (Rebel SLP 1516)
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"I May Hate Myself in the Morning" is a ballad backed by acoustic guitar, with steel guitar and string fills. The narrator describes how she is aware of the consequences when she wakes up in the morning, but she is going to have a night of passion with a man anyway. Womack's ex-husband, Jason Sellers, provides backing vocals to the song. [5]
7 Wishes is the third studio album by the American hard rock band Night Ranger, released in 1985 and produced by Pat Glasser.The album features three Billboard Hot 100 chart hits: "Sentimental Street" reached No. 8, "Four in the Morning" No. 19 and "Goodbye" No. 17.
"Singing a Song in the Morning" (originally titled "Religious Experience") was the first solo single released by Kevin Ayers, one of the founding members of the band Soft Machine. It was issued three months after Ayers' debut solo LP Joy of a Toy , and the artist was credited on the record label as Kevin Ayers and the Whole World.