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Senecan tragedy refers to a set of ten ancient Roman tragedies, [1] eight of which were probably written by the Stoic philosopher and politician Lucius Annaeus Seneca. [2] Senecan tragedy, much like any particular type of tragedy, had specific characteristics to help classify it. The three characteristics of Senecan tragedy were: five separate ...
Senecan tragedy specifically features a declamatory style, and most of his plays use exaggerations in order to make his points more persuasive. They explored the psychology of the mind through monologues, focusing on one's inner thoughts, the central causes of their emotional conflicts, dramatizing emotion in a way that became central to Roman ...
Tragedies written by Lucius Annaeus Seneca, who is also known as Seneca the Younger.Octavia is included in the category, as although it is very probably not by him, [1] it is usually included in collections of Seneca's plays, such as the Penguin Classics book of Seneca's plays, Four Tragedies and Octavia
Thus, it is considered to be the first Italian tragedy identifiable as a Renaissance work. [7] [1] Ecerinis is not only significant for its historical information, but is modeled after the Senecan tragedy and is an indication of the early revival of classical works and their form – a characteristic of the humanist movement.
Medea is a fabula crepidata (Roman tragedy with Greek subject) of about 1027 lines of verse written by Seneca the Younger. It is generally considered to be the strongest of his earlier plays. [1] It was written around 50 CE. The play is about the vengeance of Medea against her betraying husband Jason and King Creon.
Agamemnon is a fabula crepidata (Roman tragedy with Greek subject) of c. 1012 lines of verse written by Lucius Annaeus Seneca in the first century AD, which tells the story of Agamemnon, who was killed by his wife Clytemnestra in his palace after his return from Troy.
Octavia is a Roman tragedy that focuses on three days in the year 62 AD during which Nero divorced and exiled his wife Claudia Octavia and married another (Poppaea Sabina).The play also deals with the irascibility of Nero and his inability to take heed of the philosopher Seneca's advice to rein in his passions.
Senecan stichomythia, while ultimately derived from Athenian stichomythia (as Roman theatre is derived from Greek theatre generally [7]) differs in several respects. First, Seneca uses the technique less than all but the earliest extant pieces of classical Greek tragedy. Secondly, the stichomythic form found in Seneca is less rigid.