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The gayageum or kayagum (Korean: 가야금; Hanja: 伽倻琴) is a traditional Korean musical instrument. It is a plucked zither with 12 strings, though some more recent variants have 18, 21 or 25 strings. It is probably the best known traditional Korean musical instrument. [1]
So (소; 簫) – A pan flute; derived from the Chinese paixiao; used only in Munmyo jeryeak (Korean Confucian ritual music; Hun (훈; 塤) – A globular flute made of baked clay originating from prehistoric times; end-blown like a shakuhachi, unlike an ocarina (which is a whistle design). Derived from the Chinese xun
The haegeum (Korean: 해금) is a traditional Korean string instrument, resembling a vertical fiddle with two strings; derived from the ancient Chinese xiqin. It has a rodlike neck, a hollow wooden soundbox, and two silk strings, and is held vertically on the knee of the performer and played with a bow.
Sino-Korean vocabulary includes words borrowed directly from Chinese, as well as new Korean words created from Chinese characters, and words borrowed from Sino-Japanese vocabulary. Many of these terms were borrowed during the height of Chinese-language literature on Korean culture. Subsequently, many of these words have also been truncated or ...
With those pronunciations, Chinese words entered Vietnamese, Korean and Japanese in huge numbers. [1] [2] The plains of northern Vietnam were under Chinese control for most of the period from 111 BC to AD 938. After independence, the country adopted Literary Chinese as the language of administration and scholarship.
The educational standard is the North Korean standard language. Chinese Korean vocabulary is very similar to the North Korean standard, as is orthography; a major exception of orthography is that the spelling of some Chinese cities is different (for example, Hong Kong is referred to by the Sino-Korean name of 香港, 향항, Hyanghang, rather ...
The geomungo's place in Korean culture is traditionally that of a scholars' instrument for self-cultivation, much like ancient Chinese had done with the guqin in China. [2] However, the Koreans never adopted the guqin as a folk instrument but instead inherited the Confucian and literati guqin lore wholesale and applied it onto their own ...
The Chinese language, however, was quite different from the Korean language, consisting of terse, often monosyllabic words with a strictly analytic, SVO structure in stark contrast to the generally polysyllabic, very synthetic, SOV structure, with various grammatical endings that encoded person, levels of politeness and case found in Korean.