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Unlike some of the Doors tracks, "Five to One" was created in the studio. [3] According to music journalist Gillian G. Gaar, the song originated during a session when Morrison asked drummer John Densmore to lay down a 4/4 beat to which he inserted the lyrics. [4]
Soundstage Performances is a 2002 music DVD documentary featuring 13 live TV performances by American rock band the Doors.The compilation features three shows from three distinct stages in the band's career – a TV appearance in Toronto, Canada in 1967, a Danish TV special during the Doors only European tour in 1968 and an appearance on PBS's Critique show in 1969.
The Doors: Jim Morrison – vocals; Robby Krieger – guitar; Ray Manzarek – piano and organ; John Densmore – drums; Note: Played on all tracks except tracks 9 & 10 Paul A. Rothchild – producer of all tracks except for tracks 2, 9, 10 & 14; Bruce Botnick – co-producer of the L.A. Woman tracks; engineer for all tracks except tracks 9 & 10
R-Evolution is a 2013 music documentary featuring 19 live performances, TV performances and music videos by American rock band the Doors.The compilation features TV performances not previously released as well as original music videos from the 1960s, the 1980s and the 1990s.
Recorded between July 1969 and August 1970, the collection contains 14 songs from 8 concerts performed in the United States. The CD, remastered by long-time Doors sound engineer and producer Bruce Botnick, was the first official publication released from the Bright Midnight Archives collection containing previously unreleased live concerts by the Doors.
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In Concert is a live triple album by the Doors released in 1991. The songs were recorded at several concerts between 1968 and 1970 in Los Angeles, New York City, Boston, Philadelphia, Pittsburgh, Detroit, and Copenhagen. [1]
The term can also be used for kinds of easy listening, [7] lounge, piano solo, jazz or middle of the road music, or what are known as "beautiful music" radio stations.. This style of music is sometimes used to comedic effect in mass media such as film, where intense or dramatic scenes may be interrupted or interspersed with such anodyne music while characters use an elevator.