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  2. Live Forever (Oasis song) - Wikipedia

    en.wikipedia.org/wiki/Live_Forever_(Oasis_song)

    "Live Forever" is in the key of G major (varispeeded up by less than half a semitone during mixing) and is based on a G–D–Am–C–D chord progression, with the G chord becoming an Em during the pre-chorus, though the key changes to A minor following the last chorus. The vocal melody only consists of a few notes.

  3. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...

  4. Chord substitution - Wikipedia

    en.wikipedia.org/wiki/Chord_substitution

    In major keys, the chords iii and vi are often substituted for the I chord, to add interest. In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7" [11]) is E minor 7 ("E, G, B, D") and the vi minor 7 chord is A minor 7 ("A, C, E, G"). Both of the tonic substitute chords use notes from the tonic chord, which means ...

  5. Roman numeral analysis - Wikipedia

    en.wikipedia.org/wiki/Roman_numeral_analysis

    Using lead sheet chord names, these chords could be referred to as A minor, D minor, G major and C major. [ 1 ] In music theory , Roman numeral analysis is a type of harmonic analysis in which chords are represented by Roman numerals , which encode the chord's degree and harmonic function within a given musical key .

  6. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major).

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  8. Closely related key - Wikipedia

    en.wikipedia.org/wiki/Closely_related_key

    In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.

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