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In 1891 he made a marble sculpture of the same subject, possibly based on a plaster version also used as model for the painting. [2] He made several alternative versions of the painting, each presenting the subject from a different angle; the Metropolitan Museum of Art page provides a detailed history and extensive references. [3]
Pygmalion and Galatea is an oil-on-canvas painting by the French painter Anne-Louis Girodet. It represents the myth of Pygmalion and Galatea as told by Ovid in the Metamorphoses. The figures Pygmalion and Galatea are shown with Cupid, the god of desire. Girodet began the work in 1813, but it took him eight years to complete. [1]
Catalogue de luxe of ancient and modern paintings belonging to the estate of the late Charles T. Yerkes, 21; The Met object ID: 436483 ; Google Arts & Culture asset ID: 2gGsD5JvGUoWbA ; Bpk-ID: 50115164 ; Artstor artwork ID: 18414245 ; Utpictura18 artwork ID: 7965 ; Source/Photographer: The Metropolitan Museum of Art: Other versions
Pygmalion and Galatea are two characters from Greco-Roman mythology. Pygmalion and Galatea may also refer to: Pygmalion and Galatea, a play by W. S. Gilbert; Pygmalion and the Image series, a series of paintings by Edward Burne-Jones; Pygmalion and Galatea (Gérôme painting), a painting by Jean-Léon Gérôme
Pygmalion and the Image is the second series of four oil paintings in the Pygmalion and Galatea series by the Pre-Raphaelite artist Edward Burne-Jones which was completed between 1875 and 1878. The two collections may be seen below, in the Gallery , the first being now owned by Lord Lloyd Webber , [ 1 ] and the second housed at the Birmingham ...
Fromental Halévy wrote an opera Pygmalion in the 1820s, but it was not performed. Franz von Suppé composed an operetta Die schöne Galathée, which is based on the characters of Pygmalion and Galatea. The ballet Coppélia, about an inventor who makes a life-sized dancing doll, has strong echoes of Pygmalion.
Pygmalion and Galatea. As a teen, he was taken by his parents to Paris for formal training in art, graduating from the École des Beaux-Arts. [2] In his twenty years there, he trained from 1864 to 1884 under master portraitist Charles Auguste Emile Durand, alongside John Singer Sargent. [4]
Falconet's 1763 sculpture Pygmalion and Galatea (Walters Art Museum, Baltimore). Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] is the post-antiquity name popularly applied to the statue carved of ivory alabaster by Pygmalion of Cyprus, which then came to life in Greek mythology.