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Within New Formalism, a literary movement in American poetry, there are several authors of Christian poetry. They include Dana Gioia , Frederick Turner , David Middleton, and James Matthew Wilson. When asked by William Baer about his decision to write Christian poetry, English-American New Formalist Frederick Turner said, "In the 20th century ...
A cento is a poetic work composed of verses or passages taken from other authors and re-arranged in a new order. This poem reworks verses extracted from the work of Virgil to tell stories from the Old and New Testament of the Christian Bible. Much of the work focuses on the story of Jesus Christ.
A fragmentary copy of the first edition of The Day of Doom, held at Houghton Library, Harvard University "The Day of Doom: or, A Poetical Description of the Great and Last Judgment" [1] is a religious poem by clergyman Michael Wigglesworth that became a best-selling classic in Puritan New England for a century after it was published in 1662 by Samuel Green and Marmaduke Johnson.
Like many poems of the Anglo-Saxon period, The Dream of the Rood exhibits many Christian and pre-Christian images, but, in the final analysis, is a Christian piece. [24] Examining the poem as a pre-Christian (or pagan) text is difficult, as the scribes who wrote it down were Christian monks who lived in a time when Christianity was firmly ...
The first known publication, beginning The Tree of Life My Soul Hath Seen, was in London's Spiritual Magazine in August, 1761. This credits "R.H." as the submitter and presumed author. [1] R.H. has been shown most likely to refer to Rev. Richard Hutchins, a Calvinist Baptist clergyman then in Long Buckby, Northamptonshire. [2]
The poems of the Junius Manuscript, especially Christ and Satan, can be seen as a precursor to John Milton's 17th-century epic poem Paradise Lost. It has been proposed that the poems of the Junius Manuscript served as an influence of inspiration to Milton's epic, but there has never been enough evidence to prove such a claim (Rumble 385).
Eclogue 4, also known as the Fourth Eclogue, is a Latin poem by the Roman poet Virgil. The poem is dated to 40 BC by its mention of the consulship of Virgil's patron Gaius Asinius Pollio. The work predicts the birth of a boy, a supposed savior, who—once he is of age—will become divine and eventually rule over the world.
Christ I is found on folios 8r-14r of the Exeter Book, a collection of Old English poetry today containing 123 folios. The collection also contains a number of other religious and allegorical poems. [3] Some folios have been lost at the start of the poem, meaning that an indeterminate amount of the original composition is missing. [4]