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Color symbolism in art, literature, and anthropology is the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [ 1 ] and even within the same culture in different time periods. [ 2 ]
White often represents purity or innocence in Western culture, [2] particularly as white clothing or objects, can be stained easily. In most Western countries white is the color worn by brides at weddings. Angels are typically depicted as clothed in white robes. In many Hollywood Westerns, bad cowboys wear black hats while the good ones wear white.
Light spectrum, from Theory of Colours – Goethe observed that colour arises at the edges, and the spectrum occurs where these coloured edges overlap.. Theory of Colours (German: Zur Farbenlehre) is a book by Johann Wolfgang von Goethe about the poet's views on the nature of colours and how they are perceived by humans.
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The Pulitzer prize-winning play Fairview, by Jackie Sibblies Drury, focuses on the white gaze; the play's title is a play on the phrase. [6] Hannah Miao, reviewing it, describes the White gaze as "being watched from a lens of otherness that is sometimes violently obvious, and sometimes so subtle that you find yourself wondering whether you made it up entirely.
The color white can be given with white pigments, especially titanium dioxide. [3] In ancient Egypt and ancient Rome, priestesses wore white as a symbol of purity, and Romans wore white togas as symbols of citizenship. In the Middle Ages and Renaissance a white unicorn symbolized chastity, and a white lamb sacrifice and purity.
His early poetry was inspired by German romanticism and French symbolism that is visual and full of imagery and predominated by the colors yellow and green. Then he later turned to poetic prose in which the color white predominates; this is clearly evident in Diario de un poeta recién casado ("Diary of a Recently Married Poet", 1917). Jimenez ...
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's Les Fleurs du mal.