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Audio mixing for film and television is a process during the post-production stage of a moving image program by which a multitude of recorded sounds are combined. In the editing process, the source's signal level, frequency content, dynamics, and panoramic position are commonly manipulated and effects added.
Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. [3] The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production.
Typically the first track is a data track while the rest are audio tracks. The most common use for mixed mode CDs is to add CD-quality audio to video games on a CD. The term "enhanced CD" is sometimes used to refer to mixed mode CDs, [ 2 ] though it is most commonly used to refer to either a more general category of formats that mix audio and ...
In audio production, a stem is a group of audio sources mixed together, usually by one person, to be dealt with downstream as one unit. A single stem may be delivered in mono, stereo, or in multiple tracks for surround sound. [1] In sound mixing for film, the preparation of stems is a common stratagem to facilitate the final mix. Dialogue ...
A DJ mix or DJ mixset is a sequence of musical tracks typically mixed together to appear as one continuous track. DJ mixes are usually performed using a DJ mixer and multiple sounds sources, such as turntables, CD players, digital audio players or computer sound cards, sometimes with the addition of samplers and effects units, although it is possible to create one using sound editing software.
[2] As well, in order to mix using automation on the console, analogue recorders generally required adjacent tracks to the time code track to be kept blank to avoid the time code signal interfering with the audio signals, which limited available tracks to 22 or 23 track at most. Digital multitrack machines had time code inserted elsewhere on ...
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