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Singing bowls. Bowls that were capable of singing began to be imported to the West from around the early 1970s. The musicians Henry Wolff and Nancy Hennings have been credited with the singing bowl's introduction for musical purposes in their 1972 new-age album Tibetan Bells (although they gave no details of the bowls used in the recording). [34]
Although it is sometimes stated that 'Tibetan singing bowls' date back to a pre-Buddhist, shamanic Bon-Po tradition, the manufacture and use of bowls specifically for the purpose of 'singing' (as opposed to standing bells/bowls that are intended to be struck) is believed to be a modern and non-Tibetan phenomenon. [9]
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A native of Nepal, Alex Gopali, brought the enchanting resonance of Himalayan singing bowls to the heart of St. Petersburg.
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Today, tingsha are used along with singing bowls [1] and other instruments in meditation, music and sound healing. Artists such as Karma Moffett and Perteson Meneses, Joseph Feinstein use multiple pairs of antique tingsha together to create a sonic tapestry effect.
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