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Silk threads are glued together with igisu, and stretched, preparing them for shimebata. Shimebata 締機. Shimebata is the technique used to make the kasuri threads. The white silk threads are tightly woven with cotton threads creating a dense mat. Areas of the silk threads are exposed according to the design.
A long under-kimono worn by both men and women beneath the main outer garment, [2]: 61 sometimes simply referred to as a juban. Since silk kimono are delicate and difficult to clean, the nagajuban helps to keep the outer kimono clean by preventing contact with the wearer's skin (paralleling the European petticoat).
Meisen cloth, probably 1950s Meisen (銘 （ めい ） 仙 （ せん ）, lit. ' common silk stuff ') is a type of silk fabric traditionally produced in Japan ; it is durable, hard-faced, and somewhat stiff, with a slight sheen, : 79 and slubbiness is deliberately emphasised. Meisen was first produced in the late 19th century, and became widely popular during the 1920s and 30s (late- Taishō ...
An unlined (hitoe) kimono made from tsumugi, showing soft drape.Tsumugi (紬) is a traditional slub-woven silk fabric from Japan.It is a tabby weave material woven from yarn produced using silk noil, short-staple silk fibre (as opposed to material produced using longer, filament yarn silk fibres).
The first instances of kimono-like garments in Japan were traditional Chinese clothing introduced to Japan via Chinese envoys in the Kofun period (300–538 CE; the first part of the Yamato period), through immigration between the two countries and envoys to the Tang dynasty court leading to Chinese styles of dress, appearance, and culture becoming extremely popular in Japanese court society. [1]
The kimono within the collection are not on permanent display, but are periodically lent or donated in part to cultural institutions; including the Kremlin Museums in Moscow [5] and the Victoria and Albert Museum in London. [6] [7] Khalili, who also owns a collection of Meiji-era Japanese art, describes kimono as "one of the wonders of the ...
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