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Chinese Girl (often popularly known as The Green Lady) is a 1952 painting by Vladimir Tretchikoff. Mass-produced prints of the work in subsequent years were among the best-selling of the twentieth century. [ 1 ]
A line drawing is the most direct means of expression. This type of drawing without shading or lightness, is usually the first to be attempted by an artist.It may be somewhat limited in effect, yet it conveys dimension, movement, structure and mood; it can also suggest texture to some extent.
Excluding the 10% most and 10% least beautiful women, women's attractiveness does not change between 18 and 40. If extremes are included, however, "there's no doubt that younger [women] are more physically attractive – indeed in many ways beauty and youth are inextricable. That's why most of the models you see in magazines are teenagers". [58]
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The actor can pull down a mask which has previously been hidden on top of their head, changing their face to red, green, blue or black to express happiness, hate, anger or sadness, respectively. Face-dragging (Chinese: 抹臉) The actor drags greasepaint hidden in their sideburns or eyebrows across their face to change their appearance. [8] [9]
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The word breaks down into seven hiragana characters: he (へ), no (の), he (へ), no (の), mo (も), he (へ), and ji (じ). The first two he are the eyebrows, the two no are the eyes, the mo is a nose, and the last he is the mouth. The outline of the face is made by the character ji, its two short strokes forming the ear or cheek.
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