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The word comes from the Sanskrit kara, meaning “to do” or “to make,” [3] indicating an action-based form of compassion, rather than the pity or sadness associated with the English word. In Hindu mythology, the concept of "Karuṇā" or compassionate action is deeply embedded and is often illustrated through stories, characters, and ...
The Nīlakaṇṭha Dhāraṇī, also known as the Mahākaruṇā(-citta) Dhāraṇī, Mahākaruṇika Dhāraṇī [1] or Great Compassion Dhāraṇī / Mantra (Chinese: 大悲咒, Dàbēi zhòu; Japanese: 大悲心陀羅尼, Daihishin darani or 大悲呪, Daihi shu; Vietnamese: Chú đại bi or Đại bi tâm đà la ni; Korean: 신묘장구대다라니 (Hanja: 神妙章句大陀羅尼 ...
Papayya Sastry was born in Kommuru village, Pedanandipadu mandal, Guntur district in 1912. After primary and middle school education in his village. Papayya Sastry has about 27 works, [2] which include Pushpa Vilapam, Kunthi Kumari, Karunasri, Paaki Pilla, Udayasri, Vijayasri, Omar Khayyam, Aruna Kiranalu, Telugu Baala and Kalyana Kalpavalli.
Furthermore, the sutra also promises the state of Avinivartaniya (non-retrogression on the path of the bodhisattva, meaning one will not fall back to an earlier state of spiritual development). [ 6 ] Relationship to the Great Compassion Mantra
Karuna may refer to: Karuṇā, part of the spiritual path in Hinduism, Buddhism and Jainism; Karunas, Indian actor and politician; Karuna Kodithuwakku (born 1961), Sri Lankan politician; Karuna Nundy, Indian lawyer; Vinayagamoorthy Muralitharan (born 1966), also known as Colonel Karuna; Karuna, Finland, former municipality in Finland; Karuna ...
The film won two Nandi Awards, was notable for two song sequences narrating the Birth of Jesus and Entry into Jerusalem, the film was screened at the International Film Festival of India. [ 2 ] It was followed by Dayamayudu (1987), starring Vijayachander as Saint Paul , which can considered as a sequel to Karunamayudu . [ 3 ]
Dashain Aayo (Nepali: दशैँ आयो), also known as Kodo Fulyo Barima, is a Nepalese song from the film Muglan, which was released in 2005. The song depicts the celebration of the biggest Hindu festival in Nepal, Dashain. It is regarded as an evergreen Dashain song, and is still prominent among Nepali people, especially during the ...
It is a audava-vakra-sampurna rāgam (or owdava, meaning pentatonic in ascending scale), [1] where vakra indicates the zig-zag nature of jumping notes in descending scale. Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):