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White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica , dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main ...
The artist takes his name from his characteristic use of reeds in the landscape, particularly in depictions of Charon, the ferryman of the dead in Greek mythology. [2] A lekythos by the Reed Painter is one of only a few white-figure examples that depict a horseman at a tomb; unusually, the youth sits at the tomb with his horse rather than ...
The artist's name vase is a kalpis depicting the poet Sappho, currently held by the National Museum, Warsaw (Inv. 142333). The hand of the Sappho Painter has been identified on 95 vessels, 70% of which are lekythoi. Their work has also been identified on tomb wall slabs and epinetra. [1] Nearly half of this artist's paintings are of the white ...
The Thanatos Painter (5th century BCE) was an Athenian Ancient Greek vase painter who painted scenes of death on white-ground cylindrical lekythoi. [1] All of the Thanatos Painter's found lekythoi have scenes of or related to death (thanatos in Greek) on them, including the eponymous god of death Thanatos carrying away dead bodies. [2]
Cylix of Apollo with chelys lyre and his raven, pouring libation, white-ground bowl, circa 480 BC. Delphi, Archaeological Museum. The Pistoxenos Painter was an important ancient Greek vase painter of the Classical period. He was active in Athens between c. 480 and 460 BC. Many vases have been attributed to his hand on the basis of style.
The Athena Painter was an Attic black-figure vase painter, active about 490 to 460 BC. His speciality were white-ground lekythoi painted in the black-figure style. His pseudonym, for his real name is unknown, refers to his preference for Athena in his choice of subjects.
A mastos (Greek, μαστός, "breast"; plural mastoi) is an ancient Greek drinking vessel shaped like a woman's breast. The type is also called a parabolic cup, and has parallel examples made of glass or silver. [1] Examples are primarily in black-figure or white ground technique, [2] though early examples may be red-figure. [3]
A Handbook of Greek Vase Painting. Sparks, NV: Falcon Hill Press, 1995. Mitchell, Alexandre G. Greek Vase-Painting and the Origins of Visual Humour. New York: Cambridge University Press, 2009. Noble, Joseph Veach. The Techniques of Painted Attic Pottery. New York: Watson-Guptill, 1965. Oakley, John Howard. The Greek Vase: Art of the Storyteller ...