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The ferry links Hampton, on the north bank and in the London Borough of Richmond, with Moulsey or Molesey Hurst, the largest park of Molesey on the south bank and in Surrey. [1] The ferry is in the Molesey, Hampton and Sunbury reach (between Molesey and Sunbury Locks). It is one of two of this reach's Thames crossings – both are ferries.
Hampton Ferry. The Hampton Ferry is a pedestrian cable ferry linking Evesham and the village of Hampton across the River Avon in the English county of Worcestershire.The route dates back to the 13th century, when it was established by the monks of Evesham Abbey as a short-cut to their newly planted vineyard on Clark's Hill.
"Afternoon in Paris" is a 1949 jazz standard.It was written by John Lewis. [1]"Afternoon in Paris" has a 32-bar AABA form and is usually played in the key of C major.In several of the song's phrases, the tonal center changes (when played in C, there is a shift to B ♭ and A ♭), defining a complex harmonic structure that is of interest to both theoreticians and soloists.
"Paris Smiles" by Mel Torme "The Paris Song" by Jake Holmes "Paris Song" by Lee Hazlewood "The Paris Song" by Trevor Chance "Paris: the Song of a Great City" by Frederick Delius "Paris Soul Food" by Hal Singer "Paris sous les bombes" by Supreme NTM "Paris sous la pluie" by Samson Schmitt Quintet "Paris-Sport" by Monsieur Jules et son ensemble
A train song is a song referencing passenger or freight railroads, often using a syncopated beat resembling the sound of train wheels over train tracks.Trains have been a theme in both traditional and popular music since the first half of the 19th century and over the years have appeared in nearly all musical genres, including folk, blues, country, rock, jazz, world, classical and avant-garde.
The Skye Boat Song" (Roud 3772) is a late 19th-century Scottish song adaptation of a Gaelic song composed c.1782 by William Ross, entitled Cuachag nan Craobh ("Cuckoo of the Tree"). [1] In the original song, the composer laments to a cuckoo that his unrequited love , Lady Marion Ross, is rejecting him.
The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with "A Nightingale Sang in Berkeley Square" also proving popular. [2] The song had not been written for the film, and Hammerstein said the song was "not written to order".
[1] [2] First releases on the Decca label were on the B-side of 10-inch shellack singles, where the song was coupled with either "Blow-Top Blues", composed by Leonard Feather and played by the Hampton Sextet with "lovely" [3] vocals by Sarah Vaughan (Decca 28059), or "Three Minutes on 52nd Street", [4] another Hampton original recorded with the ...