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Maclure grew up in rural Scotland, taking up stained glass later in life. [2] She initially worked with her partner to restore and conserve historic stained glass, and later began creating her own work. [3] Maclure's lightboxes are recognisable for both their technical experimentation and their mix of personal, social and environmental ...
The primary method of including colour in stained glass is to use glass, originally colourless, that has been given colouring by mixing with metal oxides in its melted state (in a crucible or "pot"), producing glass sheets that are coloured all the way through; these are known as "pot metal" glass. [2]
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
It is a very important agent to make pink and red glass. When used together with cadmium sulfide, [9] it yields a brilliant red color known as "Selenium Ruby". Pure metallic copper produces a very dark red, opaque glass, which is sometimes used as a substitute for gold in the production of ruby-colored glass.
In this historic Kansas City home designed by Annie Kern, she knew the stained glass windows and elegant colors throughout the space were the standout features, so the curtains couldn't detract ...
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
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