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The Ethiopian Golden Age of Music was an era of Ethiopian music that began around the 1960s to 1970s, until the Derg regime progressively diminished its presence through politically motivated persecutions and retributions against musicians and companies, which left many to self-imposed exile to North America and Europe.
The Paris-based world music record label Buda Musique began the Éthiopiques series in 1997 and initially compiled Ethiopian popular music releases from the 1960s and 1970s. Some of the subsequent CDs focus on traditional music, while others highlight individual musicians or specific styles. As of 2017, there have been 30 releases.
Complex rhythms: Ethiopian music is known for its intricate rhythmic patterns, as with the case for many African music, often featuring irregular meters and syncopation. Vocal styles: Traditional Ethiopian singing includes a variety of vocal techniques, such as melismatic, ornamentation, vocal slides, and call-and-response structures. In terms ...
Mulatu Astatke is considered the father of Ethio-jazz music. Multi-instrumentalist Mulatu Astatke has been considered the father of Ethio-jazz. [4] [5] He was born in 1943 in Jimma and developed an interest in music while studying aeronautical engineering in Wales. [3] He went on to pursue a formal education in music at Holy Trinity College in ...
Mulatu recorded Mulatu of Ethiopia (1972) in New York City, but most of his music was released by Amha Eshete's label Amha Records in Addis Ababa, Ethiopia, including several singles, his album Yekatit Ethio Jazz (1974), and six out of the ten tracks on the compilation album Ethiopian Modern Instrumentals Hits.
Part of the World Music Network Rough Guides series, the release covers the music of Ethiopia, focusing largely on 1960s pop. [1] The compilation was curated by Francis Falceto, who also produces Buda Musique's Éthiopiques series. [2] Phil Stanton, co-founder of the World Music Network, was the producer. [3] [4]
Tilahun's death left a lasting impact on the Ethiopian music community, one that has been unmatched with wavering support from other Ethiopian figures. Most notably, Tamagn Beyene, a close friend to Tilahun. A year after Tilahun's passing, a memorial service was held by Tamagn to honor the life and legacy of Tilahun.
His songs "Tezata Slow" and "Fast" were featured on the album Ethiopiques, Vol. 10: Ethiopian Blues & Ballads. [7] The Sombrino club—was very popular in 1960s and 1970s— hired him to play accordion. He met with singer Alemayehu Eshete there. Then Getachew spent playing accordion for 15 birr at night. While there, Getachew managed to create ...
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