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Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Mirza Ghalib is considered one of the leading literary authority on Urdu poetry. [3] He lived in Delhi [4] and died in 1869. The literal meaning of shayar (shaa'ir) is poet. [5] There are more than 30 types of Urdu poetry, also known as shayari. Examples of shayari are ghazal, sher, nazm, marsiya, qita and many more. [6]
Despite having traditionality ingrained in her personality, she took part in modern art. [1] As early as 1950, she was recognized as the First Lady of Urdu Poetry. [d] [1] [2] [10] [26] Her mother, and her husband Nurul Hasan Jafarey, encouraged her to keep on her literary activities in spite of social difficulties.
Anwar Masood (Urdu: انورمسعود, Punjabi: انورمسعود Punjabi: ਅਨਵਰ ਮਸਊਦ; born 8 November 1935) is a Pakistani poet and educationist known for his comic poetry. [1] However, his works include other genres as well.
Naresh Kumar Shad was born in Ahiyapur, Urmar Tanda, District Hoshiarpur on 11 December 1927. [1] His father Nauhariya Ram Dard Nakodari was a prominent and well known Urdu journalist and poet writer very famous back in those days.
Ahmad Faraz is included in the long list of revolutionary poets of Urdu language and is "acclaimed as one of the most influential modern Urdu poets of the last century." [ 2 ] [ 9 ] [ 5 ] "This felicity with words is evident in much of Faraz's work, as is an economy of expression, along with an ability to wrap layers of meaning into brief lines ...
Variegated aspects and artistic skills of Akhtar Shairani's poetry lend him a distinguished place in modern Urdu poetry. His influence on Urdu literature, and poetry in particular, earned him a repute of trendsetter. [2] His famous poems include: "Ae ishq kahin le chal" "O des se aane waale bataa"
Firaq espoused a deep affection for Urdu and emphasised the importance of keeping Urdu in the collective linguistic awareness of India and the subcontinent. " Zubaan kisi qaum ki milkiyat nahin/ Jisne seekhi, usne kahi " (Language is not the prerogative of any particular society; the person who has learnt it, speaks it) was his statement.