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A close-up or closeup in filmmaking, television production, still photography, and the comic strip medium is a type of shot that tightly frames a person or object. [1] Close-ups are one of the standard shots used regularly with medium and long shots (cinematic techniques). Close-ups display the most detail, but they do not include the broader ...
Still life photography is a genre of photography used for the depiction of inanimate subject matter, typically a small group of objects. Similar to still life painting, it is the application of photography to the still life artistic style. [1] Tabletop photography, product photography, food photography, found object photography etc. are ...
Weston photographed Pepper No. 30 using his Ansco 8×10 Commercial View camera with a Zeiss 21 cm lens. The smallest aperture on this lens is f /36. [citation needed] According to Weston's grandson Kim, it was shot at an aperture of f /240 with an exposure time of four to six hours. [5]
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Image credits: Detroit Photograph Company "There was a two-color process invented around 1913 by Kodak that used two glass plates in contact with each other, one being red-orange and the other ...
In the 1930s Peterhans was a proponent of the Neues Sehen (New Vision) movement, taking close-up, still-life photographs of everyday objects and images that played with unusual angles and lighting. At the Bauhaus, Peterhans' teaching involved using the theories of Kant , Plato and Pythagoras to show how beauty is constructed in the mind, and ...
Macro photography (photomacrography, macrography, or macrophotography) is extreme close-up photography of nature, typically including insects, plants, and other items. It focuses on tiny living organisms and shows details not typically seen. Macro photography typically includes equipment made for an extremely detail-oriented approach. [11]
Fruit and Flowers (1860) by Roger Fenton. Fruit and Flowers is a black and white photograph by English photographer Roger Fenton, taken in 1860.It was part of the still lives series that Fenton did at the Summer of that year, and would be some of his final photographic work, shortly before be leave this activity, in 1862.
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