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14 is a cast-glass pendant fastened by a borosilicate glass lamp holder. It can be suspended by coaxial cable in its chandelier form or fastened to the wall as a surface-mount light. [6] It has been described as giving the effect of "a candle floating in water" and is considered a classic piece of Canadian design.
The chandelier has dimensions of 27 × 12 × 12 feet (8.2 × 3.7 × 3.7 m) and is made of blown glass. The original name was Ice Blue and Spring Green Chandelier. It was created with blue, green, and yellow glass composed of fused, relatively small swirling tendrils and sharp protruding edges that extend outward from every side.
The tulip-based marble breakfast table was also designed by Kovac’s studio, with a VPS BIG Flowerpot pendant by Vernon Panton from &Tradition overhead. Living Room Photo credit: Roger Davies
In 2000, Chihuly's commission from the Victoria and Albert Museum for a 30-foot-high (9.1 m), blown-glass chandelier dominates the museum's main entrance. Chihuly's The Sun was on temporary display until January 2006 at Kew Gardens, London, England. The piece is 13 feet (4 m) high.
The clearness and light scattering properties of lead glass made it a popular addition to the form, and conventionally, lead glass may be the only glass that can be described as crystal. The first mention of a glass chandelier in an advertisement appeared in 1727 (as schandelier ) in London.
Lampworking can be done with many types of glass, but the most common are soda-lime glass and lead glass, both called "soft glass", and borosilicate glass, often called "hard glass". Leaded glass tubing was commonly used in the manufacture of neon signs , and many US lampworkers used it in making blown work.