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Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. for use in post-production that supports video resolution up to 8K.It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. [1]
A DSM can be supplied in a multitude of formats and color spaces. For this reason, the encoding facility needs to have extensive knowledge in color space handling including, on occasion, the use of 3D LUTs to carefully match the look of the finished DCP to a celluloid film print. This can be a highly involved process in which the DCP and the ...
Same as the SDC 2K Spirit DataCine but with the optional 4k (4096) data scanning license, It can output 4k DPX files at 8 frames per second, SAN speed permitting. With the optional scaler the 4k CCD output could be used as an oversampled 2K output. The unit can also output 16 bit data. [16] [36] Spirit Datacine 2K – 4K – HD with the doors open
XAVC can use level 5.2 of H.264/MPEG-4 AVC, which when XAVC was introduced was the highest level supported by H.264 and which they now call XAVC S 4K/XAVC S HD.In addition their XAVC HS 4K or 8K versions can use MPEG-H HEVC/H.265 codec with 10-bit color sampling.
Uncompressed video is digital video that either has never been compressed or was generated by decompressing previously compressed digital video. It is commonly used by video cameras, video monitors, video recording devices (including general-purpose computers), and in video processors that perform functions such as image resizing, image rotation, deinterlacing, and text and graphics overlay.
Ultra HD Blu-ray (4K Ultra HD, UHD-BD, or 4K Blu-ray) [2] [3] is a digital optical disc data storage format that is an enhanced variant of Blu-ray. [4] Ultra HD Blu-ray supports 4K UHD (3840 × 2160 pixel resolution) video at frame rates up to 60 progressive frames per second, [ 4 ] encoded using High-Efficiency Video Coding . [ 4 ]
6- to 8-bit per subpixel panels 8- to 10-bit per subpixel, with some HDR models capable of 12-bit per subpixel. [14] Response time 0.01 ms [15] to less than 1 μs, [16] but limited by phosphor decay time (around 5 ms) [17] 1–8 ms typical (according to manufacturer data), older units could be as slow as 35 ms [18]
10 bits per sample Rec. 2020 uses video levels where the black level is defined as code 64 and the nominal peak is defined as code 940. Codes 0–3 and 1,020–1,023 are used for the timing reference. Codes 4 through 63 provide video data below the black level while codes 941 through 1,019 provide video data above the nominal peak. [2]