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Aaron Burr, the Third U.S. Vice President, 1801–05 (John Vanderlyn, 1802) Burr portrays the eponymous anti-hero as a fascinating and honorable gentleman, and portrays his contemporary opponents as mortal men; thus, George Washington is an incompetent military officer, a general who lost most of his battles; Thomas Jefferson is a fey, especially dark and pedantic hypocrite who schemed and ...
The protagonist is a young US Army lieutenant, Philip Nolan, who develops a friendship with the visiting Aaron Burr. When Burr is tried for treason, [n 1] Nolan is tried as an accomplice. During his testimony, he bitterly renounces his nation and, "in an intemperate outburst" [2] shouts . Damn the United States!
The best-known examples are the Parisian Obelisk Press, which published Henry Miller's sexually frank novel Tropic of Cancer, and Olympia Press, which published William Burroughs's Naked Lunch. Both of these, the work of father Jack Kahane and son Maurice Girodias , specialized in English-language books which were prohibited, at the time, in ...
1973 in literature – Thomas Pynchon's Gravity's Rainbow; J. G. Ballard's Crash; J. G. Farrell's The Siege of Krishnapur; Gore Vidal's Burr; Peter Shaffer's play Equus first performed; Aleksandr Solzhenitsyn's The Gulag Archipelago; John Bellairs' The House with a Clock in Its Walls; Kurt Vonnegut's Breakfast of Champions; Nina Bawden's Carrie ...
After the war, Burr remained active in politics. In an 1866 speech to the Anti-Abolition State Rights Society, he castigated Republicans such as Thaddeus Stevens and Charles Sumner, and criticized some fellow Democrats, for attempting to steal "Black Republican thunder", saying such Democrats were to Republicans as mulattoes (he also called them mongrels) were to Negroes. [6]
Perrault's French fairy tales, for example, were collected more than a century before the Grimms' and provide a more complex view of womanhood. But as the most popular, and the most riffed-on, the Grimms' are worth analyzing, especially because today's women writers are directly confronting the stifling brand of femininity
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
Don Juan by Lord Byron (1824), an example of a "mock" epic in that it parodies the epic style of the author's predecessors [12] Camões by Almeida Garrett (1825), narrating the last years and deeds of Luís de Camões; Dona Branca by Almeida Garrett (1826), the fantastic tale of the forbidden love between Portuguese princess Branca and Moorish ...