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"Lookin' out My Back Door" is a song recorded by the American band Creedence Clearwater Revival. Written by the band's lead singer, guitarist and songwriter John Fogerty, it is included on their fifth album Cosmo's Factory (1970), and became their fifth and final number-two Billboard hit, held off the top by Diana Ross's version of "Ain't No Mountain High Enough".
Name of song, writer(s), original release, and year of release Song Writer(s) Original release Year Ref. "45 Revolutions Per Minute" [a] John Fogerty: Pendulum (40th Anniversary Edition) 2008 [1] "Bad Moon Rising" John Fogerty Green River: 1969 [2] "Before You Accuse Me" Ellas McDaniel † Cosmo's Factory: 1970 [3] "Bootleg" John Fogerty Bayou ...
"Long As I Can See the Light" is a song by American rock band Creedence Clearwater Revival, from the album Cosmo's Factory. Released as the flip side of the single "Lookin' Out My Back Door" in 1970, it reached number 57 on the Cash Box singles chart in the US, number 20 in the UK (in the UK, "Long As I Can See the Light" was on the A-side, and "Lookin' Out My Back Door" on the flip), and ...
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The song depicts the fictional band Willy and the Poor Boys, and how they play on street corners to cheer people up and ask for nickels. Songwriter John Fogerty explained how the lyrics were derived: [9] [I] was kind of inspired by seeing an advertisement in the paper one day. It was an ad from Disney that said in great big letters 'Winnie the ...
Lyrics can be studied from an academic perspective. For example, some lyrics can be considered a form of social commentary. Lyrics often contain political, social, and economic themes—as well as aesthetic elements—and so can communicate culturally significant messages. These messages can be explicit, or implied through metaphor or symbolism.
Song structure is the arrangement of a song, [1] and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs.Common piece-level musical forms for vocal music include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues.