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"Ces gens-là" is a French language song by the late Belgian singer Jacques Brel, published in 1966 by the Éditions Pouchenel of Brussels, about the despair of a hopeless love. The title, meaning "those people", or, "those folks", has also been translated as " that lot there ".
Quand on n'a que l'amour (English: When love is all you have) is the second studio album by Jacques Brel.Also known as Jacques Brel 2, the original album was released in April 1957 by Philips (N76.085R).
Sheet music with Fanny Brice "Mon Homme" (French pronunciation: [mɔ̃n‿ɔm]), also known by its English translation, "My Man", is a popular song first published in 1920. The song was originally composed by Maurice Yvain with French lyrics by Jacques-Charles (Jacques Mardochée Charles) and Albert Willemetz.
Comme d'habitude" ([kɔm dabityd(ə)], French for "As usual") is a French song about routine in a relationship falling out of love. It was composed in 1967 by Jacques Revaux, with lyrics by Claude François and Gilles Thibaut . In 1969 Paul Anka gave it new lyrics to create the song "My Way", one of Frank Sinatra's signature songs.
The song is built as a dialogue that ends with two monologues in which "one is decided, while the other begs". [2] The song was also released under the title "Over there" to win over the anglophone countries. On Radio Canada, it was awarded best francophone song of the year thanks to the votes of listeners. [3]
There is a strong oral tradition among children in China, Vietnam and other places in Asia of passing on songs with their own lyrics, sung to the tune of "Frère Jacques". [39] Frère Jacques is the name of a chain of franchised French restaurants in the UK [40] and the name of a French restaurant in the Murray Hill section of New York City. [41]
The 2024 World Chess Championship is set to kick off this week, a showdown between 18-year-old Gukesh Dommaraju of India and reigning champion Ding Liren of China.
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).