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English: I typed all the verses using Hindi Writer version1.3 I saw little works of kabir in lots of places so decided to compile everything together. If any one has a copy right issues with this file, they can contact me to the e-mail address provided in the docu
Muhammad Iqbal, then president of the Muslim League in 1930 and address deliverer "Sare Jahan se Accha" (Urdu: سارے جہاں سے اچھا; Sāre Jahāṉ se Acchā), formally known as "Tarānah-e-Hindi" (Urdu: ترانۂ ہندی, "Anthem of the People of Hindustan"), is an Urdu language patriotic song for children written by poet Allama Muhammad Iqbal in the ghazal style of Urdu poetry.
Doha (Urdu: دوہا, Hindi: दोहा, Punjabi: ਦੋਹਾ) is a form of self-contained rhyming couplet in poetry composed in Mātrika metre. This genre of poetry first became common in Apabhraṃśa and was commonly used in Hindustani language poetry. [1] Among the most famous dohas are those of Sarahpa, Kabir, Mirabai, Rahim, Tulsidas ...
Hafeez Jalandhari was unique in Urdu poetry for the enchanting melody of his voice and lilting rhythms of his songs and lyrics. His poetry generally dealt with romantic, religious, patriotic and natural themes. His language was a fine blend of Hindi and Urdu diction, reflecting the composite culture of South Asia. [3]
Rashmi Parekh (born 1976), poet of free verse poetry; Robin S Ngangom, poet writing in English; Rukmini Bhaya Nair, poet and theorist, writing in English; Salik Shah, poet, author, editor and publisher in English; Sarojini Naidu (1879–1949), eminent poet, freedom fighter and administrator writing in English
The Satasai (Satsai) or Bihari Satsai (Seven Hundred Verses of Bihari) is a famous work of the early 17th century by the Hindi poet Bihārī, in the Braj Bhasha dialect of Hindi spoken in the Braj region of northern India. [1] It contains Dohas, or couplets, on Bhakti (devotion), Neeti (Moral policies) and Shringara (love). [citation needed]
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Pages from the Charyapada. The original palm-leaf manuscript of the Charyapada, or Caryācaryāviniścaya, spanning 47 padas (verses) along with a Sanskrit commentary, was edited by Shastri and published from Bangiya Sahitya Parishad as a part of his Hajar Bacharer Purano Bangala Bhasay Bauddhagan O Doha (Buddhist Songs and Couplets) in 1916 under the name of Charyacharyavinishchayah.