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Triptych Bleu I, II, III is a triptych created in 1961. It is a set of three-part display abstract oil paintings by the Spanish modern artist Joan Miró . The paintings are named Bleu I, Bleu II, Bleu III (in English, Blue I, Blue II, Blue III ) and are similar.
The triptych was not particularly well-preserved; the paint of the middle panel especially had flaked off around joints in the wood. [52] However, recent restoration works have managed to recover and maintain it in a very good state of quality and preservation. [68] The painting usually is on display in a room with other works by Bosch. [69]
The triptych format has been used in non-Christian faiths, including, Judaism, Islam, and Buddhism. For example: the triptych Hilje-j-Sherif displayed at the National Museum of Oriental Art, Rome, Italy, and a page of the Qur'an at the Museum of Turkish and Islamic Arts in Istanbul, Turkey, exemplify Ottoman religious art adapting the motif. [7]
Sans Neige (En: Without Snow) is a 1969 oil on canvas triptych painting by the American New York School abstract expressionist artist Joan Mitchell. [1] It is in the permanent collection of the Carnegie Museum of Art in Pittsburgh.
The painting evokes the sensation of the passing of an automobile, with crisscrossing lines representing sound. [1] [3] It may be the second in a triptych narrating the passage of a racing car through a landscape, beginning with Abstract Speed (Velocità + paesaggio) (1913) and ending with Abstract Speed – The Car Has Passed (1913).
Frances Barth, Untitled Ramble, acrylic on panels (triptych), 24" x 96", 2018. Frances Barth (born 1946) is an American visual artist best known for paintings situated between abstraction, landscape and mapping, and in her later career, video and narrative works.
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