Search results
Results from the WOW.Com Content Network
Coolness, or being cool, is the aesthetic quality of something (such as attitude, behavior, appearance, or style) being generally admired by society and being compatible with social norms. Because of the varied and changing interpretation of what is considered cool , as well as its subjective nature, the word has no single meaning.
Aesthetics of music is a branch of philosophy that deals with the nature of art, beauty and taste in music, and with the creation or appreciation of beauty in music. [1] In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization.
Meyer used this basis to form a theory about music, combining musical expectations in a specific cultural context with emotion and meaning elicited. [1] His work went on to influence theorists both in and outside music, as well as providing a basis for cognitive psychology research into music and our responses to it.
Swing, swing dance and swing jazz, a genre of popular dance music, and a quality of emotionally and culturally genuine music in the African American community [9] Tezeta , an Ethiopian musical term, evocative of melancholy, nostalgia and bittersweet longing, being originally a traditional song, then a genre, a musical mode and a marker of ...
When Taylor Swift drops new music, fans know to look out for everything around the songs. The outfits, the fonts, the music videos and more also tell a story — the story of that album’s aesthetic.
The innovative concept of aesthetic engagement leads to new perspectives on a variety of traditional esthetic topics, including metaphorical language, urban design, music, and metaphysics, and opens less traditional topics, such as virtual reality and social interaction to aesthetic analysis. [2]
New musicology is a wide body of musicology since the 1980s with a focus upon the cultural study, aesthetics, criticism, and hermeneutics of music. It began in part a reaction against the traditional positivist musicology—focused on primary research—of the early 20th century and postwar era.
In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization. In the eighteenth century, focus shifted to the experience of hearing music, and thus to questions about its beauty and human enjoyment (plaisir and jouissance) of music.