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Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006). Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages. New York: Tuttle Pub. ISBN 978-1-4629-0314-6. OCLC 782879753
The Palace Museum in Beijing and the National Palace Museum in Taipei contains extensive collections of Chinese art. [1] [2] Chinese art is marked by an unusual degree of continuity within, and consciousness of, tradition, lacking an equivalent to the Western collapse and gradual recovery of Western classical styles of art.
Wu Guanzhong has had solo exhibitions in major art galleries and museums around the world, including China, Hong Kong, Singapore, Tokyo, Taipei, Korea, France, England and the USA. [ citation needed ] His paintings were exhibited at the British Museum in 1992; Wu was the first living Chinese artist to have an exhibition there.
The word campursari was coined from the Javanese language and means "mixture of essences". Campursari music is prevalent within the Javanese cultural sphere, especially in Central Java , the Special Region of Yogyakarta , and East Java , and also in some regions where Javanese immigrants are abundant, such as parts of Greater Jakarta , Lampung ...
Chinese Jade ornament with flower design, Jin dynasty (1115–1234 AD), Shanghai Museum.. The arts of China (simplified Chinese: 中国艺术; traditional Chinese: 中國藝術) have varied throughout its ancient history, divided into periods by the ruling dynasties of China and changing technology, but still containing a high degree of continuity.
Much traditional Chinese art was made for the imperial court, often to be then redistributed as gifts. As well as Chinese painting, sculpture and Chinese calligraphy, there are a great range of what may be called decorative or applied arts. Chinese fine art is distinguished from Chinese folk art, which differs in its style and purpose. This ...
Chinese ritual bronzes from the Shang and Western Zhou dynasties come from a period of over a thousand years from c. 1500 BC, and have exerted a continuing influence over Chinese art. They are cast with complex patterned and zoomorphic decoration, but avoid the human figure, unlike the huge figures only recently discovered at Sanxingdui .
Currently there is a resurgent interest in this format. The Shanghai Museum of Art has inaugurated a permanent exhibition of lianhuanhua as a popular grassroots fine art form. Lianhuanhua was adapted for animation in the 2024 video game Black Myth: Wukong. [11]