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Widescreen images are displayed within a set of aspect ratios (relationship of image width to height) used in film, television and computer screens. In film, a widescreen film is any film image with a width-to-height aspect ratio greater than 4:3 (1.33:1). For TV, the original screen ratio for broadcasts was in 4:3 (1.33:1).
Cinerama is a widescreen process that originally projected images simultaneously from three synchronized 35mm projectors onto a huge, deeply curved screen, subtending 146-degrees of arc. [2] [3] The trademarked process was marketed by the Cinerama corporation. It was the first of several novel processes introduced during the 1950s when the ...
A 2.35:1 film still panned and scanned to smaller sizes. At the smallest, 1.33:1 (4:3), nearly half of the original image has been cropped. Pan and scan is a method of adjusting widescreen film images so that they can be shown in fullscreen proportions of a standard-definition 4:3 (1.33:1) aspect ratio television screen, often cropping off the sides of the original widescreen image to focus on ...
Cinerama Adventure is a 2002 documentary about the history of the Cinerama widescreen film process. It tells the story of the widescreen process' evolution, from a primitive multi-screen pyramid process to a Vitarama format that played a big part in World War II, to the three-screen panoramic process it eventually became.
Original, Anamorphic and letterbox. Anamorphic widescreen (also called full-height anamorphic or FHA) is a process by which a widescreen image is horizontally compressed to fit into a storage medium (photographic film or MPEG-2 standard-definition frame, for example) with a narrower aspect ratio, reducing the horizontal resolution of the image while keeping its full original vertical resolution.
Shooting video in 30p mode gives no interlace artifacts but can introduce judder on image movement and on some camera pans. The widescreen film process Todd-AO used this frame rate in 1954–1956. [11] 48p is a progressive format and that is being trialled in the film industry. At twice the traditional rate of 24p, this frame rate attempts to ...
The term "SmileBox" is a registered trademark [4] used to describe a type of letter-boxing for Cinerama films, such as on the Blu-ray release of How the West Was Won.The image is produced by using a map projection-like technique to approximate how the picture might look if projected onto a curved Cinerama screen.
But First, a Brief History of Widescreen... Wide Screen Movies Magazine, Vol. 1, 2002. Retrieved on 2006-12-01. Herbert, Stephen. Museum of the Moving Image, date unknown. Retrieved on 2006-12-01. Horak, Jan-Christopher. Introduction to Film Gauges. UCLA Film and Television Archive, 2000. Retrieved on 2006-12-01. Internet Movie Database ...