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The swastika or crux gammata (in heraldry fylfot), historically used as a symbol in Buddhism, Jainism and Hinduism, and widely popular in the early 20th century as a symbol of good luck or prosperity before adopted as a symbol of Nazism in the 1920s and 30s. Tortoiseshell cat: Many cultures Rooted in Folklore: White Elephant: Thai [34] White ...
The totem pole could not be read like a book, knowledge of the stories and legends was required beforehand by the observer before they could understand the specific meaning of the assemblage of symbols and characters on the pole. Crests and totemic symbols provided context to the reader, and based upon the appearance and patterns of the ...
Totem poles and houses at ʼKsan, near Hazelton, British Columbia.. Totem poles serve as important illustrations of family lineage and the cultural heritage of the Indigenous peoples in the islands and coastal areas of North America's Pacific Northwest, especially British Columbia, Canada, and coastal areas of Washington and southeastern Alaska in the United States.
Poles are placed outside family houses where they display the family's crests, history, wealth, social rank, inheritance, and privilege. [22] The sequence of characters and symbols sculpted into a totem pole is indicative of past family events, ancestors, myths, and heraldic crests, with the bottom figure usually being the most prominent. [23]
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
Kwakwaka'wakw totem pole carvers such as Charlie James, Mungo Martin, Ellen Neel, and Willie Seaweed kept the art alive and also carved masks, furniture, bentwood boxes, and jewelry. Haida carvers include Charles Edenshaw, Bill Reid, and Robert Davidson.
The elephant as the symbol for the Republican Party of the United States originated in an 1874 political cartoon of an Asian elephant by Thomas Nast in Harper's Weekly. This cartoon, titled "Third Term Panic", is a parody of Aesop's fable , [ h ] " The Ass in the Lion's Skin ".
Detail of a Tlingit totem pole, Ketchikan, Alaska. Alaska Native cultures are rich and diverse, and their art forms are representations of their history, skills, tradition, adaptation, and nearly twenty thousand years of continuous life in some of the most remote places on earth.
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