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"The Blue Danube" is the common English title of "An der schönen blauen Donau", Op. 314 (German for "By the Beautiful Blue Danube"), a waltz by the Austrian composer Johann Strauss II, composed in 1866.
Of the encores, the unannounced first encore is often a fast polka. The second is Johann Strauss II's waltz "The Blue Danube", whose introduction is interrupted by light applause of recognition and a New Year's greeting in German (originally added by Willi Boskovsky) from the conductor and orchestra to the audience. The origin of this tradition ...
The early repertoire of the Sinfonia was drawn from standard classical repertoire (such as "The Blue Danube" waltz and Also sprach Zarathustra), so that most orchestra members had a rough idea of what the piece should sound like, even if they could not play their chosen instrument accurately. In later years, the group's repertoire would expand ...
The spaceship approaching the space station, floating, as if in an interstellar dance, to the strains of Strauss' “The Blue Danube Waltz,” remains the meme of film.
Strauss came to the United States in 1872, where he took part in the World's Peace Jubilee and International Musical Festival in Boston at the invitation of bandmaster Patrick Gilmore and was the lead conductor in a "Monster Concert" of over 1000 performers [15] performing his "Blue Danube" waltz. He also conducted other pieces of his at the ...
Waltzes from Vienna begins with the sound of a fire brigade horn and the clip-clop of horses’ hooves, as the firemen race towards a fire at Ebezeder's Café. Upstairs from the café, Resi and Schani are oblivious to the danger, lost in a love duet that concludes with Schani telling Resi that he has dedicated his newest song to her.
Fudd returns briefly to introduce the second segment, Strauss's "The Blue Danube" waltz. Young Daffy Duck attempts to join three cygnets (baby swans) who follow their mother swan, all gracefully paddling around in waltz time; the mother consistently violently rebuffs the "ugly duckling" because he looks and sounds so different from her own brood.
A section from Johann Strauss' Waltz from Die Fledermaus. A waltz, [a] probably deriving from German Ländler, is dance music in triple meter, often written in 3 4 time.A waltz typically sounds one chord per measure, and the accompaniment style particularly associated with the waltz is (as seen in the example to the right) to play the root of the chord on the first beat, the upper notes on the ...
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