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The Lady and the Unicorn: À mon seul désir (Musée national du Moyen Âge, Paris). The Lady and the Unicorn (French: La Dame à la licorne) is the modern title given to a series of six tapestries created in the style of mille-fleurs ("thousand flowers") and woven in Flanders from wool and silk, from designs ("cartoons") drawn in Paris around 1500. [1]
Les Dames à la licorne ("the ladies with the unicorn") is a 1974 novel by the French writer René Barjavel and Irish astrologer Olenka de Veer. It is set in Ireland in the late 19th century and tells the story of five sisters who are connected to a medieval legend.
"The Unicorn Rests in a Garden," also called "The Unicorn in Captivity," is the best-known of the Unicorn Tapestries. [1]The Unicorn Tapestries or the Hunt of the Unicorn (French: La Chasse à la licorne) is a series of seven tapestries made in the South Netherlands around 1495–1505, and now in The Cloisters in New York.
The Lady and the Unicorn by Luca Longhi, portrait of Giulia Farnese. Luca Longhi (14 January 1507 – August 12, 1580) was an Italian painter of the late-Renaissance or Mannerist period, active in and near Ravenna, where he mainly produced religious paintings and portraits.
For Rudd, Death of a Unicorn is his first movie set to release in 2025. In 2024, ... 'The Rest Is History' (Exclusive) A24. Jenna Ortega and Paul Rudd in Death of a Unicorn.
The Last Unicorn is a 1982 American animated fantasy film directed and produced by Arthur Rankin, Jr. and Jules Bass, from a script by Peter S. Beagle adapted from his 1968 novel of the same title. The plot concerns a unicorn who, upon learning that she is the last of her species on Earth , goes on a quest to find out what has happened to ...
In myth, unicorns are beautiful, majestic creatures — pure, right, and true — but in the new A24 film, a unicorn will come for your life if you cross it.. And cross one Paul Rudd and Jenna ...
The Unicorns is an 1880s oil-on-canvas painting by Gustave Moreau, now in the Musée national Gustave Moreau. [1]It is freely inspired by The Lady and the Unicorn tapestries in the musée de Cluny [2] Moreau spoke of the painting and its subject as "an enchanted island with a gathering of women, solely of women giving the most precious pretext for all patterns of plastic art".
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